PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


76 visual artists and art collectives from 50 countries:
PRŌTOCOLLUM 2016/17 is now available


The third issue of PRŌTOCOLLUM, an annually published anthology dedicated to non-Western contemporary visual artists, art narratives and art history, has been released by DICKERSBACH KUNSTVERLAG. PRŌTOCOLLUM’s issue for 2016/17 features contributions by 76 visual artists and art collectives from 50 countries across Eastern Europe, Africa, the Middle East, Latin America and Asia.

PRŌTOCOLLUM deliberately invites artists to decide independently about the contents of their contributions, without any interference or filtration, curatorial analysis or critical evaluation through editorial or art historical hierarchies. The artists’ contributions are presented to the journal’s readership in an unmediated way and based on the artists’ personal decisions and perspectives.

The weight given to the artists’ authorship on the pages of PRŌTOCOLLUM and the restrictions on editorial interventions are also expressed by the fact that the cover of PRŌTOCOLLUM does not depict any specific artworks and does not highlight any single artist, but instead

lists all contributing artists to the respective issue of the journal as equally significant.

To further strengthen regional views and perspectives, PRŌTOCOLLUM 2016/17 continues to develop its concept of peer review, by inviting contributors of previous issues to recommend interesting artists from their regions. In the three issues published so far more than 230 artists and artist collectives from 94 countries have participated in PRŌTOCOLLUM. Being able to tap into the knowledge and expertise of this diverse community puts this journal in a unique position as a platform for non-Western contemporary visual art whose motto Global Perspectives on Visual Vocabulary epitomizes the intention to present a visual arts exhibition in the framework of an art journal, letting the visual flow rather than an alphabetical order determine the sequence of the artists’ contributions, undisturbed and uninterrupted by commercial ads or sponsored content that the journal strives to go without.

PRŌTOCOLLUM can be ordered online via www.protocollum.org and the publisher’s DICKERSBACH KUNSTVERLAG website www.dickersbach.net


PRŌTOCOLLUM 2016/17

Languages: English (Portions in French, Spanish, Turkish and Russian).
Pages: 324
Format: 21 x 26 cm
Release: October 2016
Frequency: One issue a year
Price: €35  -  £30  -  $40  -  ¥4100
ISBN:

978-3-9816206-4-1

Please order your copy of
PRŌŒTOCOLLUM 2016/17
here for

35,00 EUR

+ postage & packaging
(4,00 EUR Germany or 9,00 EUR international delivery for one copy,
adjusted prices for two or three copies)

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Take a sneak peek at PRŌTOCOLLUM 2016/17 http://bit.ly/2cO0JDV

Contributing artists are: Pio Abad & Maria Taniguchi (Philippines), AES+F (Russia), African Art Book Fair, Song-Ming Ang (Singapore), Orawan Arunrak (Thailand), Blažej Baláž (Slovakia), Bianca Baldi (South Africa), Moridja Kitenge Banza (Congo), José Bedia (Cuba), Bili Bidjocka (Cameroon), David Böhm & Jiří Franta (Czech Republic), Vesna Bukovec (Slovenia), Ergin Çavuşoğlu (Bulgaria/Turkey), Alejandro Cesarco (Uruguay), Leung Chi Wo (Hong Kong), Lana Čmajčanin (Bosnia and Herzegowina), István Csákány (Romania/Hungary), Tatiana Danilevskaya (Russia), Diana de Solares (Guatemala), Desire Machine Collective (India), Ernest Dükü (Ivory Coast), Fakhri El Ghezal (Tunisia), Andreas Fogarasi (Austria), Foundland (South Africa/Syria), Mekhitar Garabedian (Syria), Euridice Getulio Kala (Mozambique), Alimjan Jorobaev (Kyrgyzstan), Adela Jušić (Bosnia and Herzegowina), Zhanna Kadyrova (Ukraine), Raja'a Khalid (Saudi-Arabia), Tsang Kin-Wah (Hong Kong), Kapwani Kiwanga (Canada), Leon Krige (South Africa), Michael Lee (Singapore), Youssef Limoud (Egypt), Carlos Martiel (Cuba), Olivia McGilchrist (Jamaica), Aurelia Mihai (Romania), Trinh T. Minh-ha (Vietnam), MMMoCa (Nigeria), Naeem Mohaiemen (Bangladesh), Joel Mpah Dooh (Cameroon), Cheikh Ndiaye (Senegal), Abraham Oghobase (Nigeria), Okin Collective (South Korea), Füsun Onur (Turkey), Raquel Paiewonsky (Dominican Republic), Pamela Phatsimo Sunstrum (Botswana), Alexander Povzner (Russia), Jhafis Quintero González (Panama), José Alejandro Restrepo (Colombia), Roee Rosen (Israel), Miti Ruangkritya (Thailand), Graciela Sacco (Argentina), Nomwindé Vivien Sawadogo (Burkina Faso), Massinissa Selmani (Algeria), Sandra Sterle (Croatia), Mariam Suhail (Pakistan), Sutthirat Supaparinya (Thailand), Ana Maria Tavares (Brazil), Tercerunquinto (Mexico), Güneş Terkol (Turkey), The Bureau of Melodramatic Research (Romania), Charwei Tsai (Taiwan), Francisco Ugarte (Mexico), Where Dogs Run (Russia), Miao Xiaochun (China), Lantian Xie (Bahrain), Sun Xun (China), Sharon Ya’ari (Israel), Yang Yongliang (China), Ala Younis (Kuwait), Jakub Julian Ziółkowski (Poland).




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DICKERSBACH KUNSTVERLAG
DICKERSBACH KUNSTVERLAG | verlag@dickersbach.net | Clara-Wieck-Straße 3 | 10785 Berlin | Germany



PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


92 visual artists and art collectives from 53 countries:
PRŌTOCOLLUM 2015/16 now available


Berlin-based DICKERSBACH KUNSTVERLAG presents the second issue of PRŌTOCOLLUM, an annually published artists’ journal dedicated to non-Western contemporary visual artists, art narratives and art history. Honouring its motto Global Perspectives on Visual Vocabulary, PRŌTOCOLLUM’s issue for 2015/16 features contributions by 92 visual artists and art collectives from 53 countries across Eastern Europe, Africa, the Middle East, Latin America and Asia.

PRŌTOCOLLUM dedicates itself to the participating artists’ thoughts, visions and ideas, and offers its readership an unfiltered and unmediated encounter with contemporary global artistic practice.

The artists independently select the content they would like to have published in their respective sections and are free to determine their contributions and the way in which they would like to communicate with the journal’s readers, including their language of preference.
PRŌTOCOLLUM does not want to reflect what art experts, critics and curators think. The concept follows a strict philosophy of artistic autonomy over editorial authority, with no adverts and no editorial or curatorial interference.

For 2015/16 PRŌTOCOLLUM has invited a selection of artists from the inaugural issue to propose contributors, thus ensuring that the perspectives of local art scenes are duly represented. Featuring visual artists, art collectives and artistic practices across a wide range of media on more than 350 pages, the journal’s 2nd issue once more provides unique access to truly global contemporary art production.


PRŌTOCOLLUM 2015/16

Languages: English (Portions in French, Chinese, Spanish, Romanian).
Pages: 352
Format: 21 x 26 cm
Release: October 2015
Frequency: One issue a year
Price: €36  -  £26  -  $40  -  ¥4800
ISBN: 978-3-9816206-3-4

Please order your copy of
PRŌŒTOCOLLUM 2015/16
here for

36,00 EUR

+ postage & packaging
(4,00 EUR Germany or 9,00 EUR international delivery for one copy,
adjusted prices for two or three copies)

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Add telephone for delivery

Take a sneak peek at PRŌTOCOLLUM 2015/16: http://on.fb.me/1SUyqOq

Contributing artists are: Basel Abbas & Ruanne Abou-Rahme (Palestine), Vyacheslav Akhunov (Uzbekistan), Karo Akpokiere (Nigeria), Ammar Al-Beik (Syria), Yuri Albert (Russia), Halil Altindere (Turkey), Jude Anogwih (Nigeria), Alexander Apóstol (Venezuela), Luis Cruz Azaceta (Cuba), Cheikhou Bâ (Senegal), Fayçal Baghriche (Algeria), Ali Banisadr (Iran), Jean-Pierre Bekolo (Cameroon), Anca Benera & Arnold Estefan (Romania), Irina Botea (Romania), Luis Camnitzer (Uruguay), Nidhal Chamekh (Tunisia), Chen Chieh-jen (Taiwan), Chto Delat (Russia), Tiffany Chung (Vietnam), Carlos Cruz-Diez (Venezuela), Blue Curry (Bahamas), Danica Dakić (Bos­nia), Gohar Dashti (Iran), Jose Dávila (Mexico), Gilles Elie-Dit-Cosaque (France), Patricia Esquivias (Venezuela), Etcetera (Argentina/Chile), İnci Eviner (Turkey), Rita Fischer (Uruguay), Fokus Grupa (Croatia), Jeanno Gaussi (Afghanistan), Kendell Geers (South Africa), Gil & Moti (Israel), Marina Gržinić & Aina Šmid (Slovenia), Rula Halawani (Palestine), Hoang Duong Cam (Vietnam), HowDoYouSayYaminAfrican?, IRWIN Group (Slovenia), Délio Jasse (Angola), Hiwa K (Iraq), Šejla Kamerić (Bos­nia), Krištof Kintera (Czech Republic), Barbora Kleinhamplová (Czech Republic), Katarzyna Kozyra (Po­land), Wiz Kudowor (Ghana), Nedim Kufi (Iraq), Miriam Syowia Kyambi (Kenya), Lee Yongbaek (Korea), Zbigniew Libera (Poland), Lucía Madriz (Costa Rica), MAP Office (Morocco/France), Misheck Masamvu (Zim­babwe), Vincent Michéa (France/Senegal), Ivan Moudov (Bulgaria), Lada Nakonechna (Ukraine), Moataz Nasr (Egypt), Aimé Ntakiyica (Burundi), Mahmoud Obaidi (Iraq), OPAVIVARÁ! (Brazil), Open Group (Ukraine), Luis González Palma (Guatemala), Jorge Pardo (Cuba), Pratchaya Phinthong (Thailand), Cameron Platter (South Africa), Shahpour Pouyan (Iran), Ana Prvački (Serbia), Pors & Rao (India/Denmark), Mykola Ridnyi (Ukraine), Luciana Rondolini (Argentina), Steve Sabella (Palestine), Georges Senga (Congo), Sheng Qi (China), Regina Silveira (Brazil), Dimitar Solakov (Bulgaria), Sun Yuan & Peng Yu (China), Teppei Kaneuji (Japan), Barthélémy Toguo (Cam­eroon), Tromarama (Indonesia), Rodrigo Valenzuela (Chile), Mona Vatamanu & Florin Tudor (Romania/Switzerland), Ryszard Waśko (Poland), Pavel Wolberg (Russia), Nil Yalter (Turkey), Héctor Zamora (Mexico), Arseny Zhilyaev (Russia).



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DICKERSBACH KUNSTVERLAG
DICKERSBACH KUNSTVERLAG | verlag@dickersbach.net | Clara-Wieck-Straße 3 | 10785 Berlin | Germany



PRŌŒTOCOLLUM


Protocollum - Cover

Global Perspectives on Visual Vocabulary


PRŌTOCOLLUM, the new and innovative artists' journal by DICKERSBACH KUNSTVERLAG, presents an international survey of contemporary non-Western artists, art narratives and art history. Honouring its motto 'Global Perspectives on Visual Vocabulary', PRŌTOCOLLUM's inaugural issue features contributions by 72 visual artists and art collectives from 54 countries across Eastern Europe, Africa, the Middle East, Latin America and Asia. As an anthology of contemporary visual art PRŌTOCOLLUM will appear once a year.

PRŌTOCOLLUM re-defines the role of art magazines and art journals. Instead of dictating the journal's contents from an editorial perspective, the invited artists independently select the content they would like to be published and positioned in their respective sections of the journal.

PRŌTOCOLLUM does not want to reflect what art experts, critics and curators think, but rather to let the artists choose for themselves what they want to publish and how they want to communicate with the reader, in an unmitigated fashion.

PRŌTOCOLLUM aims to reflect the full diversity of global practice in contemporary visual art with a unique and fresh approach. The inaugural issue, the yearbook for 2014/2015, consists of 240 pages, no adverts, no curatorial self-fulfilment, only the contributing artists’ thoughts, visions and ideas, offering original and credible insights into art scenes around the world.


PRŌTOCOLLUM 2014/15

Languages: English (Portions in Thai, Russian, French, Portuguese, Ukrainian)
Pages: 240
Format: 21 x 26 cm
Release: October 2014
Frequency: One issue a year
Price: €18  -  £15  -  $20  -  ¥3000
ISBN: 978-3-9816206-2-7

Please order your copy of
PRŌŒTOCOLLUM 2014/15
here for

18,00 EUR

+ postage & packaging
(4,00 EUR Germany or 9,00 EUR international delivery for one copy) ,
adjusted prices for two or three copies)

PayPal
Select qty and shipping region
Add telephone for delivery

Take a sneak peek at PRŌTOCOLLUM 2014/15: http://on.fb.me/1RSUZ7R

Contributing artists are: Ebtisam Abdulaziz (U.A.E.), Ivan Argote (Colombia), Jelili Atiku (Nigeria), Zbyněk Baladrán (Czech Republic), Yto Barrada (France/Morocco), Sergey Bratkov (Ukraine), Luis Camnitzer (Uruguay), Tania Candiani (Mexico), Yoan Capote (Cuba), Rehema Chachage (Tanzania), Anetta Mona Chişa (Romania), Joana Choumali (Ivory Coast), Harandane Dicko (Mali), Braco Dimitrijević (Bosnia), Muratbek Djumaliev (Kyrgyzstan), Rena Effendi (Azerbaijan), Em'kal Eyongakpa (Cameroon), Mounir Fatmi (Morocco), Amir Fattal (Israel), Folorunsho (Sierra Leone), Regina José Galindo (Guatemala), Gao Brothers (China), Carlos Garaicoa (Cuba), Abdulnasser Gharem (Saudi Arabia), Shilpa Gupta (India), Nadia Kaabi-Linke (Tunisia), Peterson Kamwathi (Kenya), Gulnara Kasmalieva (Kyrgyzstan), Jiří Kovanda (Czech Republic), Oleg Kulik (Ukraine), KYZYL Traktor Group (Kazakhstan), Mário Macilau (Mozambique), Mad for Real (China), Taus Makhacheva (Russia), Malam (Cameroon), Maleonn (China), Richard Mudariki (Zimbabwe), Lavar Munroe (Bahamas), Ciprian Mureşan (Romania), Youssef Nabil (Egypt), Nastivicious (Spain/Angola), Ndugu (Ghana), Eustáquio Neves (Brazil), Olu Oguibe, Ahmet Öğüt (Turkey), Adrian Paci (Albania), Dan Perjovschi (Romania), PHUNK (Singapore), Raqs Media Collective (India), R.E.P. Group (Ukraine), Arin Rungjang (Thailand), Mohammed Sami (Iraq), Larissa Sansour (Palestine), Wilhelm Sasnal (Poland), Moe Satt (Myanmar), Kateřina Šedá (Czech Republic), Miri Segal (Israel), Kofi Setordji (Ghana), Sudarshan Shetty (India), Soheila Sokhanvari (Iran), Nedko Solakov (Bulgaria), Richard Streitmatter-Tran (Vietnam), Keiichi Tanaami (Japan), Emanuel Tegene (Ethiopia), Chaw Ei Thein (Myanmar), Lucia Tkáčová (Slovakia), Freddy Tsimba (Congo), Craig Wylie (Zimbabwe), Vadim Zakharov (Russia), Billie Zangewa (Malawi), Katarina Zdjelar (Serbia), Xu Zhen (China).



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DICKERSBACH KUNSTVERLAG
DICKERSBACH KUNSTVERLAG | verlag@dickersbach.net | Clara-Wieck-Straße 3 | 10785 Berlin | Germany